Showing posts with label Trinity College Dublin. Show all posts
Showing posts with label Trinity College Dublin. Show all posts

Sunday, March 15, 2009

Chinese Laundry



This image (from Time) struck me as ripe for translation into an abstract color field painting, or a complex drawing in a picture book or graphic novel. It shows laundry hanging outside a student dormitory at a college in Wuhan, Hubei province, China. I am trying to imagine such a scene here in Bloomington, where we also have large, high-rise student dorms.

This reminds me of how much I have always liked the look of laundry hanging on a line: from the sheets my grandmothers used to put up in their backyards (which we would use as tents and cloth alleys for games); to the clothes out the back of brick row houses in Dublin, where I lived in the Coombe one year; to folding drying racks set up in Germany or Holland, in the garden. Spring is coming: time to think about initiating a system to hang clothes out to air!


Tuesday, March 3, 2009

25 Random Things: Ambiguity









One of my favorite features of the facebook experience is reading the "25 Random Things About Me" notes posted by others. I've been tagged a few times, but I've yet to compile my list. I do think about this exercise a lot, however,
and have decided that I'll release my random list
into cyberspace one bit at a time,
exploring the "things" a little more deeply.

So here is Number 1:

I have a high tolerance for ambiguity. When I was a graduate student in English and comparative literature, I read (and then taught, at Trinity College Dublin) William Empson's classic, Seven Types of Ambiguity. (A quick trip over on that link will give you an idea; I'll spare you the essay exam.)

Here's a little summary, stolen from Wikipedia:

• The first type of ambiguity is the metaphor, that is, when two things are said to be alike which have different properties. This concept is similar to that of metaphysical conceit.

• Two or more meanings are resolved into one. Empson characterizes this as using two different metaphors at once.

• Two ideas that are connected through context can be given in one word simultaneously.

• Two or more meanings that do not agree but combine to make clear a complicated state of mind in the author.

• When the author discovers his idea in the act of writing. Empson describes a simile that lies halfway between two statements made by the author.

• When a statement says nothing and the readers are forced to invent a statement of their own, most likely in conflict with that of the author.

• Two words that within context are opposites that expose a fundamental division in the author's mind.

So let me say it again, in a slightly more complex, ambiguous way: I have a high regard for ambiguity, and have never met a metaphysical conceit that I didn't like. I also really like the idea of "making clear a complicated state of mind in the author."

There's a novel called Seven Types of Ambiguity, too, by Australian writer Elliot Perlman.